Bella White
Bella White, a Tiny Venue, and Three Drunk Guys: A Night to Remember
Pictures and Words: Justine Brown
Way back in 2023 I was listening to a Spotify playlist of artists scheduled to appear at the inaugural Fairwell Festival in Oregon, when I heard a song called "Break my Heart" by Bella White. I was immediately struck by Bella’s unique sound and lyrics. Naturally, I dug deeper, and it just kept getting better.
While she's just 25 years old, Bella channels a kind of early raw country western sound that took me back to the records my parents listened to growing up (think Emmylou Harris, Nanci Griffith, Rosanne Cash.) Fast forward to today and I've been a devoted fan ever since, digging into all the Bella White music I could find. And of course, I have been watching her tour dates to see when she might get close enough to see live again. (I prefer the term "dedicated fan." My attorney prefers it too.) Her set at Fairwell Festival was great, but that was now three long years ago — which, in devoted-fan years, is basically a decade — and in a music festival setting. So, I was quite excited when I saw her name pop up to play a night at the tiny Folsom Hotel (capacity ~100 — which is to say, you're basically in her living room). This would definitely be a chance to see more of Bella and in a more intimate setting than the festival.
Just this last Saturday the day had arrived, and Bella didn't disappoint. After a brief but fully entertaining set by Sam Gelband, who later doubled as Bella's drummer, Bella took the stage, opening with my personal favorite, "Numbers," a song off of her 2023 album, Among Other Things. I'm not sure exactly what Bella had in mind when she wrote "Numbers," but it seems to me it's about finally getting that success you've been striving for only to realize it's either not what you imagined it would be or simply doesn't feel like enough. Definitely relatable.
The night just got better from there. Not only because we were able to get so dang close that we were almost on stage with her, but also because she sounded great. Though it was just Bella and Sam (missing some of the great fiddle on some of her songs), they were more than enough to fill the place with great music.
And though she's just 25, she's definitely got that "old soul" vibe and sound. Highlights for me were "Broke" (which Bella called her "mommy/daddy divorce song), "Do you Think About Me At All," which really pulls on those old country/western/bluegrass strings (pun intended), and her cover of Jeff Tweedy's "Nobody Dies Anymore." Bella's also not afraid to show her vulnerable side, as was evidenced when she openly admitted she forgot the lyrics to one of her own songs for a minute. (We tried to rescue her by pulling them up on the phone, but by then everyone had had a laugh and she moved on to the next song.)
The venue was sold out, and everyone seemed to hang on her every haunting vocal, which reminded me how challenging it must be to get up in front of a room full of people and perform, especially at that age. But she did it beautifully, and I enjoyed every minute, even with a slight twang of anxiety throughout the show that the three drunk young men in the front might teeter into the stage and take Bella out with them. Fortunately, they did not, though it remained a constant source of suspense for the evening.
Which brings me to another point of interest. It was a pretty young crowd. Given her nostalgic sound, I expected more grey hair in the crowd. Which is to say, it's pretty cool to see that she's turned some of the younger folks into fans of this style of music. In fact, the crowd was so young that at one point a young lady behind me asked if I was Bella's mom. And although I was offended for a second, I then begrudgingly consented that yes, I actually am old enough to be her mom. And given Bella's talent, I'm going to take that as a compliment.
Before closing out the night, Bella also treated us to a preview of her new album, due out June 5, with "False Start" and "Pink Living Room" — both of which sounded great (and yes, I’ve already preordered it).
The evening unfortunately had to come to an end at some point, and Bella wrapped it up with one of her most well-known songs, "Just Like Leaving," followed by a great cover of Lucinda Williams' "Concrete and Barbed Wire." Great stuff, and I was sad to see it end, though we did manage to snag a set list as the night ended, a nice memento for a great night of music with one of my very favorite artists. It looks like Bella is headed for the east coast for the month of May, but if she comes around anywhere near you, do go see her. And check out her new album at https://bellawhitemusic.com/
Until then, thanks for the great music, Bella. Knock em dead, kiddo!