Save Ferris

Photos by: Jim Brown

Story by: Justine Brown

Larry Fleet - Sacramento - Ace of Spades - December 2025

As we filed out of Goldfield's in Roseville on Sunday night, December 7th, I overheard someone say, "That woman is unstoppable!" They were talking about Monique Powell, lead signed of Save Ferris, and honestly, I couldn't agree more. Watching her dance and jump around that stage in high heels for an entire set had me exhausted just looking at her. How does she do it?

The night kicked off with an energetic cover of The Kinks’ "Father Christmas," and the stage looked like Santa's workshop had exploded in the best possible way. Powell's love of everything holidays is well-known, and she clearly wasn't holding back. Christmas decorations were everywhere, setting a festive mood that would carry through the whole show. Larry Fleet and his band stepped onto the Ace of Spades stage, they instantly captured the audience's attention. Joy was oozing out of them as they performed. They commanded the stage—grounded and soulful, yet still full of energy and genuinely awe-inspiring.

Save Ferris Brings Holiday Cheer and Ska Energy to Goldfield's

The crowd was fascinating—a real mix of ska devotees who've been following the band since the '90s, younger fans discovering them for the first time, and several groups of children with parents who apparently couldn't find a babysitter on a Sunday night? Powell noticed the kids right away and mentioned she'd better watch her mouth and not talk about her "lady bits." The parents looked relieved.

For those who don't know the story, Save Ferris emerged from Orange County in 1995 during the third wave of ska. They started playing house parties and local venues, with Powell not only fronting the band but also managing it. Their big break came when KROQ DJ Rodney Bingenheimer played their cover of "Come on Eileen" on his show. The response was so overwhelming that the station added it to their playlist—all before they even had a record deal. Epic Records came calling in 1997, and the band spent the next six years touring the world after releasing their debut album, It Means Everything.

After a hiatus starting in 2003, Powell brought the band back in 2013 with new musicians. Their sold-out return show at the Pacific Amphitheater in Costa Mesa proved the fans had been waiting. Another performance at the Santa Monica Pier drew over 20,000 people. They weren't just back—they were ready to roar.

At Goldfield's, Powell was absolutely the centerpiece of the action. The woman commands a stage like few performers I've seen. The band tore through fan favorites including "Turn it Up," "Lies," and "Superspy," and the crowd ate it up. Everyone was engaged, dancing, singing along—even the kids were bouncing around. The tight horn sections, infectious guitar riffs, and Powell's powerful vocals reminded everyone why this band helped make ska-punk a mainstream force in the '90s.

The evening closed with their breakout hit, "Come On Eileen," and it was the perfect ending. Hearing that song live, watching Powell own every note while the crowd sang along, you couldn't help but smile. This is a band that genuinely loves what they do, and it shows.

Save Ferris proved that their sound—that perfect blend of ska, punk, and pop—is timeless. They're not trying to recapture the past; they're still living it, still evolving it, still making it fresh. And honestly? We could all use a little more of that infectious energy right now.

Thanks for the holiday party, Monique. See you on the dance floor!

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